Good, solid fantasy reading. Sapkowski has a genre veteran’s writing style, indulging in picturesque setting descriptions, while the characters and their interactions make up the bulk of the story. Introduces many of the characters met in The Witcher video game series, which as a fan was a treat. Fairly quick, easy read that would be a serviceable introduction to any fan of the games. I can imagine it confusing someone unfamiliar with the games as background, though. Also, the writing has moments of sloppiness in its transitions from combat, to dialogue, to description within a single scene; near the book’s end, it became difficult to keep track of certain events. Not for everyone, but enough for me to commit to reading the rest of the series!
Of course, examples of fatphobia and misogyny abound in this text, with Geralt at one point referring to his rival and lover Yennefer as a “fat woman… or a hunchback.” Misogyny comes primarily through the side character Dandelion, Geralt’s personal bard, troubadour, and Sancho Panza himself, but a little bit more mischievous and a troublemaker. Dandelion wishes to seduce pretty much every remotely attractive lady around him, and feels his inferiority complex sting him whenever a woman rejects his advances, which is always. It’s meant to provide a bit of humor, I suppose, but his repeated insistence gives the interactions a different tone. While I was by no means expecting a book based in the Middle Ages to be progressive and forward-thinking, it still stood out to me. I don’t think all this necessarily detracts from the book, considering the setting, but it does feel a bit more “current” than the rest of the story; it makes me step away from the book and view it from a more contemporary lens, and I feel less than sympathetic to the characters.
This all being said, The Last Wish is also full of remarkable, interesting, fleshed-out characters, many of whom are female. Nenneke, Geralt’s friend and high priestess of the temple of Melitele, is presented as the book’s “voice of reason,” giving the protagonist opportunities to recover, refresh, and reflect on his misgivings. Her story intersects each of the short stories, bringing the overarching narrative back to the present, in a careful way. Yennefer, though described somewhat grotesquely, is smart, wily, and full of charisma. Calanthe, the queen of Cintra and brief antagonist of chapter 3, speaks with a regal tone and diction in front of her guests, but lays down the mask in front of Geralt; this juxtaposition of styles helps the reader view Calanthe as a complete character, while also exposing the royal family’s corruption.
Overall, a fascinating story that I would recommend if you’re interested in the genre. Otherwise, it won’t convince you to fall in love with fantasy, unless you already are familiar with the games, in my opinion.
Three out of five stars!